How I Teach

When the class is off-task, this fourth-grade teacher knows it’s probably time for Justin Timberlake

PHOTO: Cynthia Rimmer
Cynthia Rimmer, a fourth grade teacher at Fraser Valley Elementary School in the East Grand School District, works with students.

How do teachers captivate their students? Here, in a feature we call How I Teach, we ask great educators how they approach their jobs. You can see other pieces in this series here.

For Cynthia Rimmer, a fourth-grade teacher at Fraser Valley Elementary in Granby, building relationships with students is one of the best parts of the job. She eats lunch with them, reads to them, asks about their hobbies and attends their out-of-school events when possible.

Rimmer is one of 24 teachers selected for the 2016-17 Colorado Educator Voice Fellowship, an initiative of the national nonprofit America Achieves. The program, which also includes principals, aims to involve educators in policy conversations and decisions.

This interview has been condensed and lightly edited.

Why did you become a teacher?
I became a teacher because I love helping kids: to learn, to reach their goals, to realize their dreams, to help them to develop into the people they are capable of becoming.

I had several teachers growing up that made a big impact on my life, but none was more influential than my third grade teacher, Ms. Deanna Masciantonio. She not only taught me about space and fractions, but more importantly, she taught me how to communicate and resolve conflict, and how treat friends. She made us feel special and valued. I still carry her lessons with me today.

What does your classroom look like?
My classroom is a warm and organized space where everyone can feel comfortable learning and working together. Student writing and artwork is displayed on the walls and there are a variety of seating options where students can go to work independently or collaboratively in partners or in groups.

Fill in the blank. I couldn’t teach without my __________. Why?
Sense of humor. Teaching children can be overwhelming at times. It is important to be able to take a step back, remember what is important, and enjoy the moments we have with these incredible young students.

What is one of your favorite lessons to teach? How did you come up with the idea?
Last year, my teaching partner and I worked with our physical education teacher to create a project where students researched topics related to the Coordinated School Health Standards. While the students created their projects, I was able to address a variety of English Language Arts standards, as well as working on the students’ technology and presentation skills.

How do you respond when a student doesn’t understand your lesson?
I have tried to create an environment where students are encouraged to take academic risks and mistakes are celebrated. When someone doesn’t grasp a concept, we work together to understand things in new and different ways, making sure to address the student’s variety of learning styles.

How do you get your class’s attention if students are talking or off task?
When individual students are talking or off task, often times they simply need a quick pat on the shoulder or a friendly reminder to refocus. Some students may need a quick brain break or a few laps on the exercise bike to get back on track.

When the entire class is off task, I stop and reflect on what is happening. Often times the directions were unclear, or the students were being pushed too hard, and we all need to make time for a brain boost. But sometimes, we just need to stop and dance. Our favorite class dance break this year is Justin Timberlake’s, “Can’t Stop the Feeling.” After a few minutes of singing and dancing, the students are ready to tackle the most challenging math problems.

How do you get to know your students and build relationships with them? What questions do you ask or what actions do you take?
Building relationships with students is one of the most important and one of my favorite parts of being a teacher. Talking to the students, having lunch together, telling them about myself, reading to them, getting to know about their interests and hobbies, and letting them see that I am a real person all help build healthy relationships. I also try to attend the students’ outside events whenever possible, which I’ve found goes a long way in creating a trusting and long-lasting relationship.

Tell us about a memorable time — good or bad — when contact with a student’s family changed your perspective or approach.
In one memorable meeting, a parent requested that I move her son into a more challenging reading group. Although test scores and classroom observations didn’t dictate this switch, the parent shared some struggles that the family had recently dealt with that she felt were holding her son back from doing his best.

After I changed her child’s grouping on a trial basis, the student began to flourish. He developed more confidence and began to work harder, quickly becoming a role model and a positive leader. Parents love their children and want what’s best for them. When we take the time to partner with parents and understand where they are coming from, great things can happen.

What are you reading for enjoyment?
I just finished Fish in a Tree by Lynda Mullay Hunt. I enjoy reading the books my students are reading so that we can discuss our excitement for the stories together. I recently started My Grandmother Asked Me To Tell You She’s Sorry by Fredrik Backman. I enjoyed his book A Man Called Ove and I hope this book will just as charming.

What’s the best advice you ever received?
About 20 years ago I was considering pursuing another career. A trusted friend and mentor advised me to re-enter the teaching profession. I can’t thank her enough for that wise counsel.

How I Teach

Tupac, Shakespeare, and ‘Stranger Things’: How a top Tennessee teacher relates to her students

PHOTO: Milken Family Foundation
Katherine Watkins was one of 45 educators — and one of two Tennessee teachers — honored nationally in 2017 by the the Milken Family Foundation.

How do teachers captivate their students? Here, in a feature we call How I Teach, we ask great educators how they approach their jobs. You can see other pieces in this series here.

When Katherine Watkins found out she would receive a prestigious national teaching award, her students at Millington Central High wrapped her into a huge bear hug.

“We relate to her because she relates to us,” one of her students said when asked why they enjoyed her class. Watkins was honored as a Milken Educator Award last November in front of her students, colleagues and Tennessee’s top education official.

Watkins was one of 45 educators — and one of two Tennessee teachers — honored nationally in 2017 by the Milken Family Foundation.

We asked Watkins about how she strives for relatability in her classrooms, where she teaches literature, English and coordinates the school’s yearbooks. Millington Central High is racially diverse and made up of about thousand students, one-third of which are described as economically disadvantaged.

Read in her own words how she uses pop culture to build classroom rapport and how she learned not to get flustered when her students got off track. (This Q&A has been edited and condensed.)

What does your classroom look like?

My classroom is full of books, images, and objects I’ve collected from my travels. These include a handmade Venetian mask I brought back from Italy, pictures I took while standing in front of the Blue Mosque in Istanbul, and a twelve-volume, leather-bound edition of the complete works of William Shakespeare that was published in London in 1786

Some people might say I’ve lost my mind to keep such precious relics within reach of teenagers, but I interpret the “value” of these treasures somewhat differently. I want desperately for my students to know and care about the world that exists beyond their immediate reality, and sometimes the best way to achieve that is through tactile experience. I’m trying to cultivate independent thinkers who have the confidence to test limits, ask tough questions, and arrive at their own conclusions. That can’t happen without direct confrontation with the unfamiliar, and until I can afford to actually take them to the places we read about in the literature we study, my souvenirs will have to suffice.

Fill in the blank. I couldn’t teach without my __________. Why?

I could not teach without my close-knit group of teacher friends. This is only my third year at my current school, but everyone was so warm and welcoming when I arrived that it really felt like coming home. We even have a group chat we use every day to share funny memes, vent about our frustrations, offer words of encouragement, and talk through ideas. Feeling like you can be yourself around friends in a judgment-free zone makes all the difference when it comes to a high-stress job like teaching.  Without that kind of solidarity, I know I wouldn’t be nearly as resilient or effective in the classroom.

How do you get your class’s attention if students are talking or off task?

I used to get visibly flustered if students were talking or off task during the lesson. It took me a couple years in the classroom to realize that getting upset is the least effective way to deal with this problem. Many students misbehave because they crave attention, so getting upset is the same as relinquishing control. Nowadays, I vary my approach depending on the severity and intent of the disruption, but regardless of the situation, I never lose my cool.

I have the most success defusing behavioral disruptions through the use of nonverbal cues, which can be as simple as changing my position in the room. For example, if a cluster of students is off task while I’m addressing the whole group, I continue lecturing and simply move to where the problem is occurring and the behavior stops. I’ve also become a sort of Jedi master at the don’t-you-even-think-about-it stare of disapproval. The right look delivered at the right moment can work wonders for classroom management. 

PHOTO: Katherine Watkins
Watkins said she starts each year by giving her kids a questionnaire that asks about their interests, hobbies, attitudes, and past experiences.

How do you get to know your students and build relationships with them? What questions do you ask or what actions do you take?

Before my first day at Millington Central High, I had little idea what to expect of my new school and its students. I had driven through Millington a time or two on my way to other destinations, but that was the extent of my familiarity with this community. During my initial interview, I was briefed on school demographics: Millington is ethnically diverse with a high percentage of economic disadvantage, a large SPED population, and nearly a quarter of students coming from single-parent households. It would be a lie to say I never questioned whether the school would be the right fit for me. I worried about my ability to make a connection. Would my students accept me? Would I be able to make a difference in their lives?

I always start each year by giving my kids a questionnaire that asks about their interests, hobbies, attitudes, and past experiences. I use this information to get to know students and begin establishing a rapport. Left to my own devices, for example, I would never be motivated to keep up with pop culture trends, but if a large number of my students are listening to a particular artist or watching a specific TV show (Stranger Things anybody?), I make a point of consuming the same media so I can connect with them over more than just academic content. This extra effort on my part—cultural research, if you will—has worked wonders with the kids at Millington. The look of shock on their faces when they realize I can quote lines from Hamlet as readily as the lyrics to any 2Pac song is priceless.

Tell us about a memorable time — good or bad — when contact with a student’s family changed your perspective or approach.

Knowing what’s going on in a student’s home life is a crucial part of being a good teacher, and I always try to consider the bigger picture when difficult situations arise. I have had students come forward with stories of abuse, students who have experienced the death of a parent, and students who are basically raising their younger siblings because Mom works three jobs and Dad isn’t around. A student who arrives to school late and sleeps through first period could just be lazy, but it would be callous and irresponsible to punish the child without first having a conversation to find out what’s causing the behavior. We can’t forget that kids are human beings too, some of whom are carrying the weight of the world on their shoulders. Teaching has made me realize that you can never really know what someone else is going through until you make the effort to understand. This is why it’s so important to reserve judgment and approach students with patience and compassion.

How I Teach

To teach American music, this Colorado teacher takes students back in time

PHOTO: Erin Einhorn

How do teachers captivate their students? Here, in a feature we call How I Teach, we ask great educators how they approach their jobs. You can see other pieces in this series here.

Dave Lunn, the band and orchestra director at Liberty Common High School in Fort Collins, was working at a coffee shop when he got the offer to start a band program at the new charter school.

Although he taught private music lessons at the time, he’d never planned to go into teaching. That was his parents’ field, not his.

But once he got started at Liberty Common, where he teaches music theory and music history, too, he knew it was the career for him.

Lunn, who was one of seven finalists for the 2018 Colorado Teacher of the Year award, talked to Chalkbeat about why his unit on American Roots music is so important, how a Japanese concept influences his teaching and why he loves parent-teacher conferences.

This interview has been condensed and lightly edited.

Why did you become a teacher?
Both of my parents were teachers, so to forge my own identity, I tried to follow a different path. On the side, I had developed a considerable private music studio, teaching saxophone and other instruments, so I became known in the music education community as a private instructor.

While working as a barista, one of my customers who knew that I taught music lessons was involved in starting a new charter school called Liberty Common School. She approached me about starting a band program as an extracurricular activity for the students. What began as a group of 25 students grew into a music program with five bands and a string orchestra at a school that I have now been working at for 20 years. I guess you could say that teaching found me, because as soon as I began, I knew that it was what I was meant to do. I mainly knew this, because I wouldn’t get that pit in my stomach on Sunday evenings that was such a familiar feeling in other jobs. I loved (and still do) the fact that that being a teacher offered endless opportunities to be creative and more effective.

What does your classroom look like?
My classroom communicates two things: 1. My love for all kinds of music (which I hope to be contagious) is broadcast everywhere. There are posters up and musical instruments of all kinds everywhere (I am very clear about which ones are available for students to play and when). 2. That students are welcome. One of my colleagues has dubbed my room “The Oasis,” because stressed-out students often come in during down time to play the piano, or one of the guitars hanging on the wall, or even to study in a low-stress atmosphere.

Fill in the blank. I couldn’t teach without my _________. Why?
My sense of humor. Ever since I was a kid, I loved being (or trying to be) funny. For better or worse, it defined my high school career, as I was voted “Class Clown” of my senior class. In teaching, it has been a great tool for engaging students in the lesson and even more importantly, building relationships. It also keeps me from getting bored!

What is one of your favorite lessons to teach? How did you come up with the idea?
My favorite unit is called “American Roots Music.” I teach this unit in a high school class called Introduction to Music History and Theory. In it, I guide students through an American musical “tree,” in which I demonstrate that most of American popular music can be traced back to the folk songs of slaves in the United States. We then discuss how this beautiful music was anonymously created out of the most miserable and unjust circumstances imaginable. We discuss how, after the abolition of slavery, this music would evolve into gospel and blues music, each branching out into yet more musical genres. We explore the many styles of blues that emerged, such as Delta blues, Chicago blues and Kansas City blues, and the tremendous influence those styles would birth. We journey to New Orleans, and learn about how the unique mixing of African, French, Spanish, and Caribbean cultures would eventually create jazz music. We then trace the evolution of jazz through all of its many styles. Finally, we learn about how the meeting of African-American rhythm and blues with white American country music developed into rock and roll.

There are many reasons that this is my favorite unit to teach. Although I am a band and orchestra director, I love lecturing and putting together presentations, and I do so every chance I get. I’m a performer at heart. I believe that the best performances aren’t just spectacles, but involve and engage the audience. The audience should leave a great performance changed, with a new way of looking at things. American Roots music speaks to my soul like no other music. I want my students to understand what I understand about the sublimity of this music.

How do you respond when a student doesn’t understand your lesson?
The challenge of teaching is, for me, all about striving to help a student understand the concept or material that I am presenting. Like most teachers, I present material in as many ways as I possibly can: visual, auditory, and kinesthetic. I am always checking for understanding through the questions I ask. If I feel that a student still doesn’t understand (and really wants to), I will try to find one-on-one time to work with him or her.

How do you get your class’s attention if students are talking or off task?
In my more traditional, lecture-oriented classes, I begin by playing interesting music that we have learned about during the previous lesson. I slowly raise the volume until I see all eyes up front. As soon as I stop the music, I begin teaching immediately, by beginning with something engaging. What I am trying to do is keep the pace lively, and not to leave any room for other distractions to take the energy away.

I also move around the room quite a bit, so that every student in the class is effectively “sitting up front.” In my music ensembles classes, routines are worked out during the first few days of school to establish when it is acceptable to play your instrument or talk, and when the attention needs to be on me as the conductor. The use of a conductor’s podium and a baton are what makes this happen. My whole goal is to avoid shouting above the din of the classroom. It works most of the time.

How do you get to know your students and build relationships with them? What questions do you ask or what actions do you take?
I take a great interest in getting to know my students individually and, honestly, this is where I put the majority of my energy and receive the most fulfillment back. I use humor to build rapport, establish “buy in,” and disarm any negativity. Other than that, I just pay attention to how different students respond to situations, and I get to know their strengths and weaknesses through our experiences in the classroom. My hope is to be the kind of teacher and mentor that they need.

Tell us about a memorable time — good or bad — when contact with a student’s family changed your perspective or approach.
I know it may sound strange, but I enjoy parent-teacher conferences every year. This is when I get to know the families of new students, as well as continue to build relationships with parents that I have known for years. I always come away with new insights into students who I thought I already knew so much about. While the overwhelming majority of these interactions are positive, I value the more challenging encounters just as much. I learn something every year that helps be get better as an educator.

What are you reading for enjoyment?
I just finished a book about world poverty and possible solutions called “UnPoverty: Rich Lessons from the Working Poor” by Mark Lutz. I know this sounds odd for “reading for enjoyment,” but my daughter is spending a gap year working in Nicaragua, and I read it along with her to get a better insight into the nature of the work she is doing. It’s fascinating and soul-provoking.

I also am reading a book called “Gumption: Relighting the Torch of Freedom with America’s Gutsiest Troublemakers” by Nick Offerman from the television show “Parks and Recreation.” That is one of my favorite shows, and I got to meet Nick Offerman at a book-signing where I bought the book. It’s a collection of short essays about people he admires. It’s filled with his trademark dry humor and wisdom.

What’s the best advice you ever received?
My first principal and education mentor, Dr. Kathryn Knox, mentioned a word that she picked up while living in Japan. The word is “muda,” and it roughly means futility, uselessness, wastefulness. She said that her password at the time was “muda gone”. This inspired me at the time to identify those things that could interfere with my effectiveness as a teacher, and even more importantly, my passion for teaching. There are so many elements in an educator’s career that threaten to weigh us down with “muda,” and keep us from focusing in keeping the joy of learning alive in our students. I have always tried to give all “muda” only the minimal space in my mind that is required, so that my energy is fully available for teaching. It has worked well so far.